Note from Christa: This was my post from last month’s Girlfriends Book Club blog. I’m one drool away from smashing my forehead against my keyboard, but I wanted to make something new-ish appear here! So much to catch up on, so stay tuned…
Years ago, before the release of the movie it inspired, Simon Birch, I read A Prayer for Owen Meany by John Irving. Over a decade later, it’s still on my top five favorite books of my so-far lifetime list. (Fugitive Pieces by Anne Michaels is also in that number. If you’ve not read her novel, stop reading this…buy it now…and be prepared for a beautifully written, searingly haunting, and heart-exploding redemptive novel.)
I binged on Irving novels for a while after that until I read A Widow for One Year. Three-fourths of the way into the novel, it seemed as if he grew weary because the remaining one-fourth went by at warp speed. I remember closing the book wondering what caused him to gobble up all the lose ends of the novel with one gulp rather than allowing us to savor what remained.
Now I know.
I’ve written five novels, and I experience the same angsty impatience three-fourths of the way to the finish. I hate my characters; they’re whiney relatives who came for a week and stayed for a month. And when they’re not whining, they’re mute or engaged in a gab fest entirely unrelated to anything I ant/need them to discuss. I hate the novel. I wonder why I thought it was brilliant 300 pages ago. I want to curl into the fetal position inside a cloaking device and become invisible because, when the book releases, everyone will finally know what a fraud I am.
So, anytime I’m near the end of the novel, and I’m scurrying about like Chicken Little’s twin sister, I remember Irving. And I breathe, then call a friend who can walk me off the ledge. I make sure I have a case of Coke Zero, boxes of Mike& Ike, and I allow those insistent, annoying characters to take me where they want to go.
Sometimes, they’re actually smarter than I am.